Absolute Knowledge: Analysis vs Intuition :: Philosophy

rank(a) Knowledge Analysis vs Intuition Is absolute knowledge gained through the wreak of analysis or intuition? In Introduction to Metaphysics of The Creative Mind, Henri Bergson makes a thorough distinction amongst analysis and his idea of intuition. As the buttocks of immediate, metaphysical knowledge, intuition applies to the interior experience of an object glass. Such experience entails true up empiricism. Bergson explains his method of intuition and absolute knowledge through various terms, including duration, traditionalistic rationalism and empiricism, and time. These terms shall be evaluated as they reveal the pertinence between true empiricism and true metaphysics. As a philosopher of immediacy, Bergson favors intuition everyplace analysis as a mode to knowledge. Relative, mediate, and incomplete knowledge is the ensue of analysis. It involves viewpoints of an entire object which require a division of it into parts. These parts must then be labe led with symbols and then synthesized, mediated or recomposed into an unfaithful whole in an attempt to gain a complete, perfect arrest of the thing. The experience one has during analysis is thus, an exterior one which leads only to a partial grasp of the object. This grasp is relative as it depends upon the individuals viewpoints. On the some other hand, Bergsons idea of intuition is a instrument to immediate, absolute knowledge. This knowledge is perfect, without limits, and inexpressible through symbols, or even language. It is a result of an interior experience, which Bergson claims, involves sympathy towards the object. As intuition entails sympathy, analysis entails a desire to embrace the object (161 The Creative Mind). In an attempt to expatiate the distinction between intuition and analysis, let us propose that the object is a choreographed dance. If I analyze it, I may observe the dancers or make a chart of the dance steps, and memorize the rhythm. I may co mpare various dancers or relate some steps to other steps in a series. In general, I understand the organise of the dance, but nothing more my analysis does not lead me to cooccur with the act itself, and it results in an eventual limit to my knowledge of the dance, which cannot be expanded. However, when I become a dancer, I coincide with the act. I utilize introspection and experience its entirety.