Wednesday, September 4, 2019

Cosmic Irony in Stephen Cranes The Open Boat :: Open Boat Essays

Cosmic Irony in Stephen Crane's The Open Boat Stephen Crane's "The Open Boat," is thought to be one of the finest stories ever written by an American. Crane uses a theme of cosmic irony. Cosmic irony is the belief that the universe is so large and man is so small that the universe is indifferent to the plight of man. In "The Open Boat," Crane's theme, cosmic irony, is illustrated through the use of symbols for isolation, insignificance, and indifference. Three specific examples of cosmic irony symbolism used by Crane are, the power of the ocean against the insignificance of the boat, the sea against the universe, and the little boat in a vast sea from the people on the shore. The indifference aspect of cosmic irony is where things serve no purpose, and there is truly no care for anyone or anything. In "The Open Boat," the power of the ocean against the insignificance of the boat, is a prime example of indifference used by Crane. The universe is represented by the power of the ocean, and the small boat in this ocean is symbolic of man in this giant universe. The immaculate power of the ocean is very indifferent to the small boat, just as our great universe could not care less for man. Insignificance is described as being a lack of importance. Those little things that are insignificant mean nothing to the universe. In "The Open Boat," the sea against the universe is symbolic of insignificance in cosmic irony. The sea represents something which seems very large to mankind, but is actually very insignificant in comprison to the universe. The universe would still go on without that sea, just like the universe would still go on without mankind. The third form of symbolism in cosmic irony is isolation. Isolation is being held in captivity or lack of contact with the world or universe. The little boat in a vast sea versus the people on the shore is symbolic of isolation. The small boal seems so large and important to the people on it, while the people on the shore just see this small boat as one of many objects in

Tuesday, September 3, 2019

Nuclear Energy: Energy of the Future or Environmental Disaster? :: Physics, Atom, Radioactivity, Uranium

An atom slams into another, sending a wave of energy outward when it splits. The extremely hot heat wave collides with water, instantaneously turning it to steam. This steam shots up to turn a massive wheel- and electricity is made. This may sound like some cheesy sci-fi movie, but, in fact, is a real process used to make energy around the world. Nuclear power. But many critics and concerned citizens alike argue that it’s not worth it. The controversy around nuclear power only grows each year as the need for clean power increases- but is nuclear power the ‘silver bullet’ to the energy crisis or a risky gamble that we can’t afford to make? Pros The first question many ask is why, why use radioactive uranium instead of simple coal or oil? Think of it this way- Nuclear reactors make thirty-five tons of waste each year. Seems like a lot, right? But, coal plants make over 15 tons of waste†¦per minute. That’s over seven billion tons per year! ( Enc. America 2) Also, reactors release absolutely no emissions – gasses – into the air. That means they don’t contribute to global warming at all. (NEI 2) Not only are nuclear reactors environmentally friendly, they are also economical, too. The building of a reactor is a big project, so it ads many jobs to the US. By using reactors, we lower our foreign fuel dependence by over 2.1 billion barrels since 1979- that’s billions of dollars that stays in the wallet of the United States. (NEI 2) Many people who fear nuclear power imagine a nuclear meltdown to be like an atomic bomb – Mass destruction, mushroom clouds, the lot. But really, the truth is, no matter what, that can’t happen. There just simply isn’t enough uranium to explode. (NEI-2, 1) At a nuclear power plant, all disaster scenarios are considered and multiple safety systems are implemented against them. For example, plants have a wide variety of sensors and monitors measuring everything from temperature, water pressure, water level, and many other things. If any of these sense something wrong, the plant will immediately and automatically shut its self down. (NEI-2, 2) Not only that, but there are many physical barriers as well; ceramic pellets that hold the fuel and the waste; fuel rods made of a sturdy zirconium alloy; a large steel, sealed container with eight-inch wall; and last but not least, the massive concrete structure that is the plant itself.

Monday, September 2, 2019

The Benefits of Genetic Engineering Essay -- Genetic Engineering Resear

Outline I. Thesis statement: The benefits of genetic engineering far outweigh its potential for misuse. II. Genetic Engineering A. Definition of Genetic Engineering. (#6) B. Who invented Genetic Engineering Gregor Mendel (Christopher Lampton #7) Thomas Hunt Morgan (Christopher Lampton #7) III. Benefits of Genetic Engineering A. Genetic Screening (Laurence E. Karp #4) B. Gene Therapy (Renato Dulbecco #6) C. Cloning D. Genetic Surgery (Christopher Lampton #7) E. Benefits in Agriculture (David Pimentel and Maurizio G. Paoletti #2) IV. Potential Problems A. Ethics-playing God. B. What can be considered a disease or not. C. Mutant Army V. Arguments Against Problems A. Creation is a gift. B. All technologies have potential for abuse. C. Already unlocked "genetic genie" cannot put back into bottle. D. Laws to regulate genetics. E. Genetic Engineering can be used for so many good things. (restate benefits) VI. Closing Statements A. Though genetic engineering has potential for abuse, with tight control, the abuse can be minimized and the benefits can still be reaped from it. Genetic engineering is a quite volatile topic these days. On the one side, people are screaming about how people are "playing God" and the potential for disaster, and on the other side people are screaming about the vast potential for good that it has. But how can anyone make a decision if most of those people do not even know what genetic engineering is? The man who perhaps started this genetic revolution was a humble Augustinina... ...hether one likes it or not. Works Cited Mabie, Margot C.J. Bioethics &the New Medical Technology . New York: Athenium, 1993 Pimentel, David and Paoletti, Maurizio G., "Genetic Engineering in Agriculture and the Environment," Bioscience Oct. 1996. CD-ROM. UMI-Proquest. Jan. 1997 Wilson, Jim, "Finding New Wonder Drugs," Popular Mechanics Oct. 1996. CD-ROM. UMI- Proquest. Jan. 1997 Karp, Laurence E. Genetic Engineering: Threat or Promise? . Chicago: Nelson-Hall, 1976 Lampton, Christopher. Gene Technology, Confronting the Issues . New York: Athenium, 1995 Dulbecco, Renato. "Gene Therapy," UNESCO Courier . Sep. 1994. CD-ROM. UMI-Proquest. Jan. 1997 "What is genetic engineering?" (16 Apr. 1996). http://www.aba.asn.au/leaf2.html (24 Jan. 1997) Marsa, Linda. "Edible Vaccines: Enhancing the benefits of nature," Omni Sep. 1994. CD- ROM. UMI-Proquest. Jan. 1997

Sunday, September 1, 2019

Managing Conbini- Case Study Custom Research by Essay Writers

Culturally speaking, Japanese consumers have an interest in utilizing American inventions because of an overall desire to capture the flavor and feel of Western culture, as Japanese citizens experience the joy of having disposable income to purchase goods   that they are seeing for the first time in many cases (Ellington, 1992).   Specifically in the instance of the American convenience store concept, the popularity of it in Japan, beyond the cultural associations, also has a practical element to it, as space in Japan is at a premium, which makes it difficult and impractical for the average Japanese to store lots of consumer goods in their homes.   Therefore, the convenience store allows them to quickly obtain needed items if they cannot be kept on hand at home. Evolution of the Original Concept of the Convenience Store Space is at a premium in Japan, and retail stores are no exception.   Even the Conbini (convenience store) lacks enough shelf space to display all of the goods that are offered.   Because of this, the original concept of the convenience store has evolved through the use of e-commerce; for example, in the Conbini, Internet terminals exist whereby the customer can order products and have the products delivered to their homes.   This allows for the offering of many goods in a limited space environment. Aside from the obvious convenience and product availability that Conbini provides to the Japanese consumer, there is another important aspect of Conbini that the Japanese particularly like, which can be found in the e-commerce element of the stores themselves.   Because many Japanese do not have Internet access in their homes, the possibility of buying online from the terminal at Conbini is very appealing (Bloomberg Business News, 2004). What Other Kinds of New Products/Services Could be Introduced in the Conbini? How Should the New Offerings be Distributed? Conbini represents an excellent opportunity to introduce new products/services.   Because of the space crunch in Japan, there exists a promising opportunity for the provision of the kinds of entertainment (DVDs, videocassettes, etc) that previously required large retail spaces, but can be ordered using the Internet technology that now exists. These new product/services should be distributed via home delivery due to the convenience and practical considerations that are dictated by the space restrictions that exist in Japan itself. Technology can also play a bigger key role.   The Conbini innovations in E-commerce could be adapted to E-tailing in the United States in many ways, and have been to some extent in the past, evidenced by American retailers like Circuit City, which has embraced the Internet as a sales tool and used it to rescue the firm from low profits over the past 5 years or so (Bhatnagar, 2004). To strictly follow the Conbini model, the typical American convenience store could reduce the costs associated with huge retail locations by utilizing Internet technology as Conbini has to make convenience stores smaller and more cost/space efficient.   Given certain concerns in the United States at this time as well, Conbini models can reduce the crime associated with the typical American convenience store and conserve natural resources by disturbing less land and using less utilities and building materials. References (Bhatnagar P 2004 Circuit City-No More Excuses)Bhatnagar, P. (2004). Circuit City-No More Excuses. CNN Money.com, , . Retrieved September 10, 2006, from Money Magazine and CNN Web Site: http://money.cnn.com/2004/04/26/news/fortune500/circuit_city (Bloomberg Business News 200404 Japan's Convenience Stores add E-Commerce to Milk and Management)Bloomberg Business News. (2004, April). Japan's Convenience Stores add E-Commerce to Milk and Management. Retrieved September 10, 2006, from CNET News Web Site: http://www.zdnetasia.com/news/hardware/0,39042972,13027570,00.htm (Indiana University Clearinghouse For US-Japan Studies 1992 Japanese-U.S. Economic Relations)Indiana University Clearinghouse For U.S.-Japan Studies/Lucien Ellington, author (1992). Japanese-U.S. Economic Relations. Japan Digest, 4(2002), .      

Saturday, August 31, 2019

Academic Qualification Cannot Ensure Life Sucess

Do you have iphone or ipad? I believe that even you don’t have one you also know Steve Jobs, the father or the symbol of Apple, the computer firm, he founded, lost, and then regained. Do you think he is a successful person? I do. Do you think your parent who raise you to be who you are today are successful person? I do. Actually, the definition of success differs from person to person and field to field. For some people it is having a lot of money, for others it may be having the time freedom to play golf once a week, and for others it may be raising their children to be â€Å"good people† or having a large group of close friends. For every one of us, there is a different definition of what success is for others. However, for many people, academic qualification is essential for life success . How many times did your parents tell you that make sure you worked hard in high school so you could go to college and get a good career job as the first step in the success stair? I heard it million times. You might not sure about it but you saw a good portion of adult did. But whether school and college grades and examination results provide a way of predicting or ensuring future success. As I do a simple searching in Google, I found that there are about 200 million results for the term â€Å"got degree but no job†. It means there are many people out there who struggle to find a job even they have academic qualification. Moreover, according to Australia bureau statistics, there was 7. 2% of unemployed people who have degree or certificate. The reality has been shown that academic qualification cannot guarantee life success but other factors. Back to the story of Steve Jobs, he dropped out of Reed College in Portland, Oregon after only one semester to earn money for food but later on, he said â€Å"If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. † It is similar to Bill Gates and Paul Allen, co-founder of Microsoft, lets image that they was waiting until they got college degree to start their career, maybe we couldn’t never see one of the biggest computer firm as Microsoft today. Therefore, academic qualification is not the key thing to ensure future success but personalities, characteristics, experiences, willingness to learn, EQ and opportunities. Chasing degree or academic qualification, in general , can make people distract from others important things that contribute to life success as network, relationship, experiences, etc. Moreover, many young people just randomly choose the courses similar to their friends, families’ advices, or something â€Å"hot† but ignore what they are truly like. Finally, college with assignment, exams would make people follow the old road, think inside rather outside the box or limit the creation which is together combined with inspiration, passionate are the key factors of success. In conclusion, academic qualification can be a ticket for you to enter the life with knowledge and shelf-confidence, but there is no guarantee for life success with academic qualification only. So it is importance to define what is what it to be successful and then set our hearts and minds on achieving it.

Friday, August 30, 2019

What Three Qualities Do You Think Are Most Necessary for a Good Parent

Nowadays people say that not everyone is capable of upbringing a child. Parenthood, which used to be a natural status for almost anyone, is now the source of long debates among couples and a very profitable field to writers and publishers. First of all, a good parent should be a good listener, a person who understands what his or her child needs. Parents that listen are supportive people who put aside their high expectations and will keep their ears open for their young offspring, ready to advise no matter what. Secondly, patience must characterize every person who is bringing up children. That means that we must be ready to forgive the mistakes of the inexperienced , young children and that we must help them not with violence , arguing and patronizing but by drawing the line, setting the right example and being steady and consistent. Finally, I believe that parents ought not to consider their children as an expansion of themselves. They should not be egocentric and they should find the courage to accept their children’s choices and reactions not as a battle but as if their children are showing them the way to how to be a better parent, teaching them the important values of equality and mutual respect. In conclusion, I think that to be a parent is a life-changing experience and a huge responsibility. After all, the children of today are the parents of tomorow and they should be given the right example to follow later at life. Thalia Procopiu Director of Studies 2011, Greece

The Lost Symbol Chapter 79-82

CHAPTER 79 Eight miles due north of Alexandria, Virginia, Robert Langdon and Katherine Solomon strode calmly across a wide expanse of frost-covered lawn. â€Å"You should be an actress,† Langdon said, still impressed by Katherine's quick thinking and improvisational skills. â€Å"You weren't half bad yourself.† She gave him a smile. At first, Langdon had been mystified by Katherine's abrupt antics in the taxi. Without warning, she had suddenly demanded they go to Freedom Plaza based on some revelation about a Jewish star and the Great Seal of the United States. She drew a well-known conspiracy-theory image on a dollar bill and then insisted Langdon look closely where she was pointing. Finally, Langdon realized that Katherine was pointing not at the dollar bill but at a tiny indicator bulb on the back of the driver's seat. The bulb was so covered with grime that he had not even noticed it. As he leaned forward, however, he could see that the bulb was illuminated, emitting a dull red glow. He could also see the two faint words directly beneath the lit bulb. –INTERCOM ON– Startled, Langdon glanced back at Katherine, whose frantic eyes were urging him to look into the front seat. He obeyed, stealing a discreet glance through the divider. The cabby's cell phone was on the dash, wide open, illuminated, facing the intercom speaker. An instant later, Langdon understood Katherine's actions. They know we're in this cab . . . they've been listening to us. Langdon had no idea how much time he and Katherine had until their taxi was stopped and surrounded, but he knew they had to act fast. Instantly, he'd begun playing along, realizing that Katherine's desire to go to Freedom Plaza had nothing to do with the pyramid but rather with its being a large subway station–Metro Center–from which they could take the Red, Blue, or Orange lines in any of six different directions. They jumped out of the taxi at Freedom Plaza, and Langdon took over, doing some improvising of his own, leaving a trail to the Masonic Memorial in Alexandria before he and Katherine ran down into the subway station, dashing past the Blue Line platforms and continuing on to the Red Line, where they caught a train in the opposite direction. Traveling six stops northbound to Tenleytown, they emerged all alone into a quiet, upscale neighborhood. Their destination, the tallest structure for miles, was immediately visible on the horizon, just off Massachusetts Avenue on a vast expanse of manicured lawn. Now â€Å"off the grid,† as Katherine called it, the two of them walked across the damp grass. On their right was a medieval-style garden, famous for its ancient rosebushes and Shadow House gazebo. They moved past the garden, directly toward the magnificent building to which they had been summoned. A refuge containing ten stones from Mount Sinai, one from heaven itself, and one with the visage of Luke's dark father. â€Å"I've never been here at night,† Katherine said, gazing up at the brightly lit towers. â€Å"It's spectacular.† Langdon agreed, having forgotten how impressive this place truly was. This neo-Gothic masterpiece stood at the north end of Embassy Row. He hadn't been here for years, not since writing a piece about it for a kids' magazine in hopes of generating some excitement among young Americans to come see this amazing landmark. His article–â€Å"Moses, Moon Rocks, and Star Wars†Ã¢â‚¬â€œhad been part of the tourist literature for years. Washington National Cathedral, Langdon thought, feeling an unexpected anticipation at being back after all these years. Where better to ask about One True God? â€Å"This cathedral really has ten stones from Mount Sinai?† Katherine asked, gazing up at the twin bell towers. Langdon nodded. â€Å"Near the main altar. They symbolize the Ten Commandments given to Moses on Mount Sinai.† â€Å"And there's a lunar rock?† A rock from heaven itself. â€Å"Yes. One of the stained-glass windows is called the Space Window and has a fragment of moon rock embedded in it.† â€Å"Okay, but you can't be serious about the last thing.† Katherine glanced over, her pretty eyes flashing skepticism. â€Å"A statue of . . . Darth Vader?† Langdon chuckled. â€Å"Luke Skywalker's dark father? Absolutely. Vader is one of the National Cathedral's most popular grotesques.† He pointed high into the west towers. â€Å"Tough to see him at night, but he's there.† â€Å"What in the world is Darth Vader doing on Washington National Cathedral?† â€Å"A contest for kids to carve a gargoyle that depicted the face of evil. Darth won.† They reached the grand staircase to the main entrance, which was set back in an eighty-foot archway beneath a breathtaking rose window. As they began climbing, Langdon's mind shifted to the mysterious stranger who had called him. No names, please . . . Tell me, have you successfully protected the map that was entrusted to you? Langdon's shoulder ached from carrying the heavy stone pyramid, and he was looking forward to setting it down. Sanctuary and answers. As they approached the top of the stairs, they were met with an imposing pair of wooden doors. â€Å"Do we just knock?† Katherine asked. Langdon had been wondering the same thing, except that now one of the doors was creaking open. â€Å"Who's there?† a frail voice said. The face of a withered old man appeared in the doorway. He wore priest's robes and a blank stare. His eyes were opaque and white, clouded with cataracts. â€Å"My name is Robert Langdon,† he replied. â€Å"Katherine Solomon and I are seeking sanctuary.† The blind man exhaled in relief. â€Å"Thank God. I've been expecting you.† CHAPTER 80 Warren Bellamy felt a sudden ray of hope. Inside the Jungle, Director Sato had just received a phone call from a field agent and had immediately flown into a tirade. â€Å"Well, you damn well better find them!† she shouted into her phone. â€Å"We're running out of time!† She had hung up and was now stalking back and forth in front of Bellamy as if trying to decide what to do next. Finally, she stopped directly in front of him and turned. â€Å"Mr. Bellamy, I'm going to ask you this once, and only once.† She stared deep into his eyes. â€Å"Yes or no–do you have any idea where Robert Langdon might have gone?† Bellamy had more than a good idea, but he shook his head. â€Å"No.† Sato's piercing gaze had never left his eyes. â€Å"Unfortunately, part of my job is to know when people are lying.† Bellamy averted his eyes. â€Å"Sorry, I can't help you.† â€Å"Architect Bellamy,† Sato said, â€Å"tonight just after seven P.M., you were having dinner in a restaurant outside the city when you received a phone call from a man who told you he had kidnapped Peter Solomon.† Bellamy felt an instant chill and returned his eyes to hers. How could you possibly know that?! â€Å"The man,† Sato continued, â€Å"told you that he had sent Robert Langdon to the Capitol Building and given Langdon a task to complete . . . a task that required your help. He warned that if Langdon failed in this task, your friend Peter Solomon would die. Panicked, you called all of Peter's numbers but failed to reach him. Understandably, you then raced to the Capitol.† Bellamy could not imagine how Sato knew about this phone call. â€Å"As you fled the Capitol,† Sato said behind the smoldering tip of her cigarette, â€Å"you sent a text message to Solomon's kidnapper, assuring him that you and Langdon had been successful in obtaining the Masonic Pyramid.† Where is she getting her information? Bellamy wondered. Not even Langdon knows I sent that text message. Immediately after entering the tunnel to the Library of Congress, Bellamy had stepped into the electrical room to plug in the construction lighting. In the privacy of that moment, he had decided to send a quick text message to Solomon's captor, telling him about Sato's involvement, but reassuring him that he– Bellamy–and Langdon had obtained the Masonic Pyramid and would indeed cooperate with his demands. It was a lie, of course, but Bellamy hoped the reassurance might buy time, both for Peter Solomon and also to hide the pyramid. â€Å"Who told you I sent a text?† Bellamy demanded. Sato tossed Bellamy's cell phone on the bench next to him. â€Å"Hardly rocket science.† Bellamy now remembered his phone and keys had been taken from him by the agents who captured him. â€Å"As for the rest of my inside information,† Sato said, â€Å"the Patriot Act gives me the right to place a wiretap on the phone of anyone I consider a viable threat to national security. I consider Peter Solomon to be such a threat, and last night I took action.† Bellamy could barely get his mind around what she was telling him. â€Å"You're tapping Peter Solomon's phone?† â€Å"Yes. This is how I knew the kidnapper called you at the restaurant. You called Peter's cell phone and left an anxious message explaining what had just happened.† Bellamy realized she was right. â€Å"We had also intercepted a call from Robert Langdon, who was in the Capitol Building, deeply confused to learn he had been tricked into coming there. I went to the Capitol at once, arriving before you because I was closer. As for how I knew to check the X-ray of Langdon's bag . . . in light of my realization that Langdon was involved in all of this, I had my staff reexamine a seemingly innocuous early-morning call between Langdon and Peter Solomon's cell phone, in which the kidnapper, posing as Solomon's assistant, persuaded Langdon to come for a lecture and also to bring a small package that Peter had entrusted to him. When Langdon was not forthcoming with me about the package he was carrying, I requested the X-ray of his bag.† Bellamy could barely think. Admittedly, everything Sato was saying was feasible, and yet something was not adding up. â€Å"But . . . how could you possibly think Peter Solomon is a threat to national security?† â€Å"Believe me, Peter Solomon is a serious national-security threat,† she snapped. â€Å"And frankly, Mr. Bellamy, so are you.† Bellamy sat bolt upright, the handcuffs chafing against his wrists. â€Å"I beg your pardon?!† She forced a smile. â€Å"You Masons play a risky game. You keep a very, very dangerous secret.† Is she talking about the Ancient Mysteries? â€Å"Thankfully, you've always done a good job of keeping your secrets hidden. Unfortunately, recently you've been careless, and tonight, your most dangerous secret is about to be unveiled to the world. And unless we can stop that from happening, I assure you the results will be catastrophic.† Bellamy stared in bewilderment. â€Å"If you had not attacked me,† Sato said, â€Å"you would have realized that you and I are on the same team.† The same team. The words sparked in Bellamy an idea that seemed almost impossible to fathom. Is Sato a member of Eastern Star? The Order of the Eastern Star–often considered a sister organization to the Masons–embraced a similar mystical philosophy of benevolence, secret wisdom, and spiritual open-mindedness. The same team? I'm in handcuffs! She's tapping Peter's phone! â€Å"You will help me stop this man,† Sato said. â€Å"He has the potential to bring about a cataclysm from which this country might not recover.† Her face was like stone. â€Å"Then why aren't you tracking him?† Sato looked incredulous. â€Å"Do you think I'm not trying? My trace on Solomon's cell phone went dead before we got a location. His other number appears to be a disposable phone–which is almost impossible to track. The private-jet company told us that Langdon's flight was booked by Solomon's assistant, on Solomon's cell phone, with Solomon's Marquis Jet card. There is no trail. Not that it matters anyway. Even if we find out exactly where he is, I can't possibly risk moving in and trying to grab him.† â€Å"Why not?!† â€Å"I'd prefer not to share that, as the information is classified,† Sato said, patience clearly waning. â€Å"I am asking you to trust me on this.† â€Å"Well, I don't!† Sato's eyes were like ice. She turned suddenly and shouted across the Jungle. â€Å"Agent Hartmann! The briefcase, please.† Bellamy heard the hiss of the electronic door, and an agent strode into the Jungle. He was carrying a sleek titanium briefcase, which he set on the ground beside the OS director. â€Å"Leave us,† Sato said. As the agent departed, the door hissed again, and then everything fell silent. Sato picked up the metal case, laid it across her lap, and popped the clasps. Then she raised her eyes slowly to Bellamy. â€Å"I did not want to do this, but our time is running out, and you've left me no choice.† Bellamy eyed the strange briefcase and felt a swell of fear. Is she going to torture me? He strained at his cuffs again. â€Å"What's in that case?!† Sato smiled grimly. â€Å"Something that will persuade you to see things my way. I guarantee it.† CHAPTER 81 The subterranean space in which Mal'akh performed the Art was ingeniously hidden. His home's basement, to those who entered, appeared quite normal–a typical cellar with boiler, fuse box, woodpile, and a hodgepodge of storage. This visible cellar, however, was only a portion of Mal'akh's underground space. A sizable area had been walled off for his clandestine practices. Mal'akh's private work space was a suite of small rooms, each with a specialized purpose. The area's sole entrance was a steep ramp secretly accessible through his living room, making the area's discovery virtually impossible. Tonight, as Mal'akh descended the ramp, the tattooed sigils and signs on his flesh seemed to come alive in the cerulean glow of his basement's specialized lighting. Moving into the bluish haze, he walked past several closed doors and headed directly for the largest room at the end of the corridor. The â€Å"sanctum sanctorum,† as Mal'akh liked to call it, was a perfect twelve-foot square. Twelve are the signs of the zodiac. Twelve are the hours of the day. Twelve are the gates of heaven. In the center of the chamber was a stone table, a seven-by-seven square. Seven are the seals of Revelation. Seven are the steps of the Temple. Centered over the table hung a carefully calibrated light source that cycled through a spectrum of preordained colors, completing its cycle every six hours in accordance with the sacred Table of Planetary Hours. The hour of Yanor is blue. The hour of Nasnia is red. The hour of Salam is white. Now was the hour of Caerra, meaning the light in the room had modulated to a soft purplish hue. Wearing only a silken loincloth wrapped around his buttocks and neutered sex organ, Mal'akh began his preparations. He carefully combined the suffumigation chemicals that he would later ignite to sanctify the air. Then he folded the virgin silk robe that he would eventually don in place of his loincloth. And finally, he purified a flask of water for the anointing of his offering. When he was done, he placed all of these prepared ingredients on a side table. Next he went to a shelf and retrieved a small ivory box, which he carried to the side table and placed with the other items. Although he was not yet ready to use it, he could not resist opening the lid and admiring this treasure. The knife. Inside the ivory box, nestled in a cradle of black velvet, shone the sacrificial knife that Mal'akh had been saving for tonight. He had purchased it for $1.6 million on the Middle Eastern antiquities black market last year. The most famous knife in history. Unimaginably old and believed lost, this precious blade was made of iron, attached to a bone handle. Over the ages, it had been in the possession of countless powerful individuals. In recent decades, however, it had disappeared, languishing in a secret private collection. Mal'akh had gone to enormous lengths to obtain it. The knife, he suspected, had not drawn blood for decades . . . possibly centuries. Tonight, this blade would again taste the power of the sacrifice for which it was honed. Mal'akh gently lifted the knife from its cushioned compartment and reverently polished the blade with a silk cloth soaked in purified water. His skills had progressed greatly since his first rudimentary experiments in New York. The dark Art that Mal'akh practiced had been known by many names in many languages, but by any name, it was a precise science. This primeval technology had once held the key to the portals of power, but it had been banished long ago, relegated to the shadows of occultism and magic. Those few who still practiced this Art were considered madmen, but Mal'akh knew better. This is not work for those with dull faculties. The ancient dark Art, like modern science, was a discipline involving precise formulas, specific ingredients, and meticulous timing. This Art was not the impotent black magic of today, often practiced halfheartedly by curious souls. This Art, like nuclear physics, had the potential to unleash enormous power. The warnings were dire: The unskilled practitioner runs the risk of being struck by a reflux current and destroyed. Mal'akh finished admiring the sacred blade and turned his attention to a lone sheet of thick vellum lying on the table before him. He had made this vellum himself from the skin of a baby lamb. As was the protocol, the lamb was pure, having not yet reached sexual maturity. Beside the vellum was a quill pen he had made from the feather of a crow, a silver saucer, and three glimmering candles arranged around a solid-brass bowl. The bowl contained one inch of thick crimson liquid. The liquid was Peter Solomon's blood. Blood is the tincture of eternity. Mal'akh picked up the quill pen, placed his left hand on the vellum, and dipping the quill tip in the blood, he carefully traced the outline of his open palm. When he was done, he added the five symbols of the Ancient Mysteries, one on each fingertip of the drawing. The crown . . . to represent the king I shall become. The star . . . to represent the heavens which have ordained my destiny. The sun . . . to represent the illumination of my soul. The lantern . . . to represent the feeble light of human understanding. And the key . . . to represent the missing piece, that which tonight I shall at last possess. Mal'akh completed his blood tracing and held up the vellum, admiring his work in the light of the three candles. He waited until the blood was dry and then folded the thick vellum three times. While chanting an ethereal ancient incantation, Mal'akh touched the vellum to the third candle, and it burst into flames. He set the flaming vellum on the silver saucer and let it burn. As it did, the carbon in the animal skin dissolved to a powdery black char. When the flame went out, Mal'akh carefully tapped the ashes into the brass bowl of blood. Then he stirred the mixture with the crow's feather. The liquid turned a deeper crimson, nearly black. Holding the bowl in both palms, Mal'akh raised it over his head and gave thanks, intoning the blood eukharistos of the ancients. Then he carefully poured the blackened mixture into a glass vial and corked it. This would be the ink with which Mal'akh would inscribe the untattooed flesh atop his head and complete his masterpiece. CHAPTER 82 Washington National Cathedral is the sixth-largest cathedral in the world and soars higher than a thirty-story skyscraper. Embellished with over two hundred stained-glass windows, a fifty- three-bell carillon, and a 10,647-pipe organ, this Gothic masterpiece can accommodate more than three thousand worshippers. Tonight, however, the great cathedral was deserted. Reverend Colin Galloway–dean of the cathedral–looked like he had been alive forever. Stooped and withered, he wore a simple black cassock and shuffled blindly ahead without a word. Langdon and Katherine followed in silence through the darkness of the four-hundred-foot- long nave's central aisle, which was curved ever so slightly to the left to create a softening optical illusion. When they reached the Great Crossing, the dean guided them through the rood screen–the symbolic divider between the public area and the sanctuary beyond. The scent of frankincense hung in the air of the chancel. This sacred space was dark, illuminated only by indirect reflections in the foliated vaults overhead. Flags of the fifty states hung above the quire, which was ornately appointed with several carved reredos depicting biblical events. Dean Galloway continued on, apparently knowing this walk by heart. For a moment, Langdon thought they were headed straight for the high altar, where the ten stones from Mount Sinai were embedded, but the old dean finally turned left and groped his way through a discreetly hidden door that led into an administrative annex. They moved down a short hallway to an office door bearing a brass nameplate: THE REVEREND DR. COLIN GALLOWAY CATHEDRAL DEAN Galloway opened the door and turned on the lights, apparently accustomed to remembering this courtesy for his guests. He ushered them in and closed the door. The dean's office was small but elegant, with high bookshelves, a desk, a carved armoire, and a private bathroom. On the walls hung sixteenth-century tapestries and several religious paintings. The old dean motioned to the two leather chairs directly opposite his desk. Langdon sat with Katherine and felt grateful finally to set his heavy shoulder bag on the floor at his feet. Sanctuary and answers, Langdon thought, settling into the comfortable chair. The aged man shuffled around behind his desk and eased himself down into his high-backed chair. Then, with a weary sigh, he raised his head, staring blankly out at them through clouded eyes. When he spoke, his voice was unexpectedly clear and strong. â€Å"I realize we have never met,† the old man said, â€Å"and yet I feel I know you both.† He took out a handkerchief and dabbed his mouth. â€Å"Professor Langdon, I am familiar with your writings, including the clever piece you did on the symbolism of this cathedral. And, Ms. Solomon, your brother, Peter, and I have been Masonic brothers for many years now.† â€Å"Peter is in terrible trouble,† Katherine said. â€Å"So I have been told.† The old man sighed. â€Å"And I will do everything in my power to help you.† Langdon saw no Masonic ring on the dean's finger, and yet he knew many Masons, especially those within the clergy, chose not to advertise their affiliation. As they began to talk, it became clear that Dean Galloway already knew some of the night's events from Warren Bellamy's phone message. As Langdon and Katherine filled him in on the rest, the dean looked more and more troubled. â€Å"And this man who has taken our beloved Peter,† the dean said, â€Å"he is insisting you decipher the pyramid in exchange for Peter's life?† â€Å"Yes,† Langdon said. â€Å"He thinks it's a map that will lead him to the hiding place of the Ancient Mysteries.† The dean turned his eerie, opaque eyes toward Langdon. â€Å"My ears tell me you do not believe in such things.† Langdon did not want to waste time going down this road. â€Å"It doesn't matter what I believe. We need to help Peter. Unfortunately, when we deciphered the pyramid, it pointed nowhere.† The old man sat straighter. â€Å"You've deciphered the pyramid?† Katherine interceded now, quickly explaining that despite Bellamy's warnings and her brother's request that Langdon not unwrap the package, she had done so, feeling her first priority was to help her brother however she could. She told the dean about the golden capstone, Albrecht Durer's magic square, and how it decrypted the sixteen-letter Masonic cipher into the phrase Jeova Sanctus Unus. â€Å"That's all it says?† the dean asked. â€Å"One True God?† â€Å"Yes, sir,† Langdon replied. â€Å"Apparently the pyramid is more of a metaphorical map than a geographic one.† The dean held out his hands. â€Å"Let me feel it.† Langdon unzipped his bag and pulled out the pyramid, which he carefully hoisted up on the desk, setting it directly in front of the reverend. Langdon and Katherine watched as the old man's frail hands examined every inch of the stone– the engraved side, the smooth base, and the truncated top. When he was finished, he held out his hands again. â€Å"And the capstone?† Langdon retrieved the small stone box, set it on the desk, and opened the lid. Then he removed the capstone and placed it into the old man's waiting hands. The dean performed a similar examination, feeling every inch, pausing on the capstone's engraving, apparently having some trouble reading the small, elegantly inscribed text. â€Å"`The secret hides within The Order,'† Langdon offered. â€Å"And the words the and order are capitalized.† The old man's face was expressionless as he positioned the capstone on top of the pyramid and aligned it by sense of touch. He seemed to pause a moment, as if in prayer, and reverently ran his palms over the complete pyramid several times. Then he reached out and located the cube- shaped box, taking it in his hands, feeling it carefully, his fingers probing inside and out. When he was done, he set down the box and leaned back in his chair. â€Å"So tell me,† he demanded, his voice suddenly stern. â€Å"Why have you come to me?† The question took Langdon off guard. â€Å"We came, sir, because you told us to. And Mr. Bellamy said we should trust you.† â€Å"And yet you did not trust him?† â€Å"I'm sorry?† The dean's white eyes stared directly through Langdon. â€Å"The package containing the capstone was sealed. Mr. Bellamy told you not to open it, and yet you did. In addition, Peter Solomon himself told you not to open it. And yet you did.† â€Å"Sir,† Katherine intervened, â€Å"we were trying to help my brother. The man who has him demanded we decipher–â€Å" â€Å"I can appreciate that,† the dean declared, â€Å"and yet what have you achieved by opening the package? Nothing. Peter's captor is looking for a location, and he will not be satisfied with the answer of Jeova Sanctus Unus.† â€Å"I agree,† Langdon said, â€Å"but unfortunately that's all the pyramid says. As I mentioned, the map seems to be more figurative than–â€Å" â€Å"You're mistaken, Professor,† the dean said. â€Å"The Masonic Pyramid is a real map. It points to a real location. You do not understand that, because you have not yet deciphered the pyramid fully. Not even close.† Langdon and Katherine exchanged startled looks. The dean laid his hands back on the pyramid, almost caressing it. â€Å"This map, like the Ancient Mysteries themselves, has many layers of meaning. Its true secret remains veiled from you.† â€Å"Dean Galloway,† Langdon said, â€Å"we've been over every inch of the pyramid and capstone, and there's nothing else to see.† â€Å"Not in its current state, no. But objects change.† â€Å"Sir?† â€Å"Professor, as you know, the promise of this pyramid is one of miraculous transformative power. Legend holds that this pyramid can change its shape . . . alter its physical form to reveal its secrets. Like the famed stone that released Excalibur into the hands of King Arthur, the Masonic Pyramid can transform itself if it so chooses . . . and reveal its secret to the worthy.† Langdon now sensed that the old man's advanced years had perhaps robbed him of his faculties. â€Å"I'm sorry, sir. Are you saying this pyramid can undergo a literal physical transformation?† â€Å"Professor, if I were to reach out with my hand and transform this pyramid right before your eyes, would you believe what you had witnessed?† Langdon had no idea how to respond. â€Å"I suppose I would have no choice.† â€Å"Very well, then. In a moment, I shall do exactly that.† He dabbed his mouth again. â€Å"Let me remind you that there was an era when even the brightest minds perceived the earth as flat. For if the earth were round, then surely the oceans would spill off. Imagine how they would have mocked you if you proclaimed, `Not only is the world a sphere, but there is an invisible, mystical force that holds everything to its surface'!† â€Å"There's a difference,† Langdon said, â€Å"between the existence of gravity . . . and the ability to transform objects with a touch of your hand.† â€Å"Is there? Is it not possible that we are still living in the Dark Ages, still mocking the suggestion of `mystical' forces that we cannot see or comprehend. History, if it has taught us anything at all, has taught us that the strange ideas we deride today will one day be our celebrated truths. I claim I can transform this pyramid with a touch of my finger, and you question my sanity. I would expect more from an historian. History is replete with great minds who have all proclaimed the same thing . . . great minds who have all insisted that man possesses mystical abilities of which he is unaware.† Langdon knew the dean was correct. The famous Hermetic aphorism–Know ye not that ye are gods?–was one of the pillars of the Ancient Mysteries. As above, so below . . . Man created in God's image . . . Apotheosis. This persistent message of man's own divinity–of his hidden potential–was the recurring theme in the ancient texts of countless traditions. Even the Holy Bible cried out in Psalms 82:6: Ye are gods! â€Å"Professor,† the old man said, â€Å"I realize that you, like many educated people, live trapped between worlds–one foot in the spiritual, one foot in the physical. Your heart yearns to believe . . . but your intellect refuses to permit it. As an academic, you would be wise to learn from the great minds of history.† He paused and cleared his throat. â€Å"If I'm remembering correctly, one of the greatest minds ever to live proclaimed: `That which is impenetrable to us really exists. Behind the secrets of nature remains something subtle, intangible, and inexplicable. Veneration for this force beyond anything that we can comprehend is my religion.' â€Å" â€Å"Who said that?† Langdon said. â€Å"Gandhi?† â€Å"No,† Katherine interjected. â€Å"Albert Einstein.† Katherine Solomon had read every word Einstein had ever written and was struck by his profound respect for the mystical, as well as his predictions that the masses would one day feel the same. The religion of the future, Einstein had predicted, will be a cosmic religion. It will transcend personal God and avoid dogma and theology. Robert Langdon appeared to be struggling with the idea. Katherine could sense his rising frustration with the old Episcopal priest, and she understood. After all, they had traveled here for answers, and they had found instead a blind man who claimed he could transform objects with a touch of his hands. Even so, the old man's overt passion for mystical forces reminded Katherine of her brother. â€Å"Father Galloway,† Katherine said, â€Å"Peter is in trouble. The CIA is chasing us. And Warren Bellamy sent us to you for help. I don't know what this pyramid says or where it points, but if deciphering it means that we can help Peter, we need to do that. Mr. Bellamy may have preferred to sacrifice my brother's life to hide this pyramid, but my family has experienced nothing but pain because of it. Whatever secret it may hold, it ends tonight.† â€Å"You are correct,† the old man replied, his tone dire. â€Å"It will all end tonight. You've guaranteed that.† He sighed. â€Å"Ms. Solomon, when you broke the seal on that box, you set in motion a series of events from which there will be no return. There are forces at work tonight that you do not yet comprehend. There is no turning back.† Katherine stared dumbfounded at the reverend. There was something apocalyptic about his tone, as if he were referring to the Seven Seals of Revelation or Pandora's box. â€Å"Respectfully, sir,† Langdon interceded, â€Å"I can't imagine how a stone pyramid could set in motion anything at all.† â€Å"Of course you can't, Professor.† The old man stared blindly through him. â€Å"You do not yet have eyes to see.†